I light for story first. Every frame is a decision about where the eye should go and what the moment should feel like.
Based in Nigeria and working worldwide, I shoot commercials, documentary and narrative film with an engineer's eye for the camera and a painter's eye for light. My background in mechanical engineering shapes how I solve problems on set — practically, precisely, under pressure.
Comfortable on ARRI, RED and Sony systems, from run-and-gun documentary to controlled studio builds.
“Dir. KOKO sees light the way most people see colour. He elevated every frame of our campaign.”
“Calm under pressure, precise with the camera. The dailies spoke for themselves.”
“We booked him for one spot and kept him for the whole series.”